12/30/2023 0 Comments Avid final cut pro for windows 10![]() ![]() Sure, you’ll eventually get to the same destination, but it’s going to take a lot more work on your end. I’ve seen the light, and working with tracks feels like going from a self-driving Tesla to an underpowered minivan. And the process is so much more efficient than anything else out there that I now get frustrated every time I have to return to a track-based workflow. It’s not the perfect solution for everything, and it does have its limitations, as all NLE options do, but as a general rule, it has become my first-choice system. (Have I mentioned that Final Cut Pro X doesn’t use tracks?) And finally, the lightbulb moment, the “NOW I get it” realization that comes with understanding the radically different workflow. And then two weeks of massive discouragement and frustration, because it’s unlike any other edit system we’ve used before. Followed by a willingness to give it a shot. Surprise when we first hear a fellow editor rave about FCPX. There’s a small but growing number of editors who have made the jump. Nothing academic, but “from the trenches” reporting.Īfter 25 years as an Avid editor, I’ve switched to Final Cut Pro X. The only argument from authority I’ll intentionally use is this: the evidence I present will be based on real-world applications. So, I’m going to cede my authority here and state my case with evidence. Seriously, the rattle has whisked through the internet tubes and erupted out of my speakers. If you’re a professional editor, I can actually hear you rolling your eyes through the screen. I just publicly claimed that Avid–which clearly rules the roost in professional editing environments–and Premiere–which is working hard to grab as much market share as it can–are secondary choices to Final Cut Pro X. But I’ve offered zero evidence for a pretty big claim. And then I used that soapbox to preach a conclusion. So, I speak from real-world experience when I say after 25 years on Avid, and several years on Premiere, I’ve switched to Final Cut Pro X because it’s years ahead of the competition." And in the past year, I edited four indie films–two of them on Avid, one on Premiere (I was the polish editor on that one), and one on Final Cut Pro X. I was the lead editor for six seasons of Criss Angel Mindfreak, and I recently wrapped a 13-season stint as an editor on SyFy channel’s Face Off series. I’ve edited hundreds of hours of television, commercials, music videos. "I’ve been editing professionally for over 25 years, most of those as an Avid editor. It’s a crutch, a fallacy that expects you to take the speaker’s word because they say it’s so, not because they have evidence to back up their point.įor instance, I could open my argument with this: You’ll never have a better opportunity to get your hands on insane bandwidth speed-up to 2.4 GB/sec-at such an unprecedented price.I hate arguments from authority. But how is that possible when only one user can access a Apple Final Cut Pro Library at any one time? Avid NEXIS | PRO changes all that, and that’s why Apple Final Cut Pro users are turning to Avid intelligent storage to give them the real-time collaboration, fuss-free file sharing, and competitive edge they need to succeed. ![]() But to stay competitive in today’s media industry, you have to be able to collaborate with different people and tools. Many Mac editors use Apple Final Cut Pro X*.
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